oldfilmsflicker:

Their  Own Desire, 1929 (dir. E. Mason Hopper)

oldfilmsflicker:

Their  Own Desire, 1929 (dir. E. Mason Hopper)


Movies touch our hearts and awaken our vision, and change the way we see things. They take us to other places, they open doors and minds. Movies are the memories of our life time, we need to keep them alive. - Martin Scorsese

Movies touch our hearts and awaken our vision, and change the way we see things. They take us to other places, they open doors and minds. Movies are the memories of our life time, we need to keep them alive. - Martin Scorsese

Martin Scorsese’s filmography.

Hiroshi Sugimoto - Theaters (1978-93)

Artist’s statement: 

“I’m a habitual self-interlocutor. Around the time I started photographing at the Natural History Museum, one evening I had a near-hallucinatory vision. The question-and-answer session that led to this vision went something like this: 

Suppose you shoot a whole movie in a single frame? 

And the answer: You get a shining screen. 

Immediately I sprang to action, experimenting toward realizing this vision. Dressed up as a tourist, I walked into a cheap cinema in the East Village with a large-format camera. As soon as the movie started, I fixed the shutter at a wide-open aperture, and two hours later when the movie finished, I clicked the shutter closed. 

That evening, I developed the film, and the vision exploded behind my eyes.”

wehadfacesthen:

Katharine Hepburn in Alice Adams (George Stevens, 1935)

wehadfacesthen:

Katharine Hepburn in Alice Adams (George Stevens, 1935)

frozenfilms:

Akira Kurosawa, Ikiru (1952)

frozenfilms:

Akira Kurosawa, Ikiru (1952)

Nitrate Film Interest Group

This FLICKR account is to help archives around the world identify unknown films in their collection. We will do our best to post what information is known about each film along with the frame scans. If you are able to provide any information such as title, actor, approximate date, or anything helpful then please leave a comment.

Films that have multiple frame scans have been grouped into sets that can be found along the right side of the screen. By clicking on the set information will appear that applies to all of the frame scans from that reel of film. We suggest that you navigate these photos through their sets so as to see all of the information that is provided. 

The Nitrate Film Interest Group is a part of the Association of Moving Image Archivists’ interest groups. Check out AMIA at www.amianet.org. The Nitrate Film Interest Group is dedicated to promoting education about nitrate film as well as functioning as a resource for those interested in and working with nitrate film by becoming a major resource for archivists’ needs. 

Questions about these scans can be posted to the scan comments. If you have a frame scan of an unidentified film, any questions about the Nitrate Film Interest Group or this account an email can be sent to nitratefilminterestgroup@yahoo.com

Tell other film buffs, archivists, and collectors about us

maudelynn:

“Go and love some more.”
Harold and Maude (1971)
(This is what I want to tatoo on my upper shoulder in memory of my most beloved cat, Harold May 5 1993 ~ December 10 2012. PS THIS is my favourite movie of all time:D) 

maudelynn:

“Go and love some more.”

Harold and Maude (1971)

(This is what I want to tatoo on my upper shoulder in memory of my most beloved cat, Harold May 5 1993 ~ December 10 2012. PS THIS is my favourite movie of all time:D) 

adrowningwoman:

Rashomon (1950)

Watch it for free on hulu.

auntada:

Trailer from the 1920 silent film, Within Our Gates, directed by Oscar Micheaux. The film portrays the hardships blacks faced in Jim Crow America. The subject matter was so controversial at the time, that the film was severely edited. Most prints were destroyed, and the film was considered lost for 70 years until a lone print was discovered in a Spanish archive. Within Our Gates is believed to be the earliest surviving film directed by an African-American filmmaker. The full version of the film is available online.

kateoplis:

Reiner Riedler’s shots of original filmrolls from The Deutsche Kinemathek,

The Unseen

ericisadrug:

Maria Felix handling bidness

delriovelezfelix:

María Félix in Doña Bárbara (1943), Dir. Fernando de Fuentes.

swinton:

Dolores del Río in two films, El niño y la niebla (1953, Dir. Roberto Gavaldón) and María Candelaria (1943, Dir. Emilio Fernández). Cinematography by Gabriel Figueroa.

viola-goes-to-hollywood:

Hertha Thiele, Dorothea Wieck, Mädchen in Uniform, Leontine Sagan, Carl Froelich, 1931

viola-goes-to-hollywood:

Hertha Thiele, Dorothea Wieck, Mädchen in Uniform, Leontine Sagan, Carl Froelich, 1931

Canvas by Andbamnan